Contents

Editorial:
Pen, Sword and The Society

Interview:
Nnorom Azuonye
My E-conversation with
Esiaba Irobi

Guest Poet:
Rebecca Steltner
About Steltner

Poems:

Rebecca Steltner
Summer Forgetting
Untitled I
Untitled II
Before falling asleep
Chafed
Unoma Azuah
Vows
Song of the Owl
Nights
In Us
Uduma Kalu
To the unheard voice
A mermaid dance
Evelyn
I am still eager
C. Highsmith-Hooks
When freedom come
Through tainted eyes
The Day The Towers Fell
Uche Nduka
Swear
Gleamings
Turn the key
Slow Feet
Emeka Azuine
Reality World
Oppressenergy
Song for Souls


Feature:
Nnamdi Obioha Azuonye
– Profile of the poet
Nnorom Azuonye
The Freedom Clause: Theme and Meaning
in the poems of
Nnamdi Azuonye

Events & Announcements:
StAnza Poetry Festival
Poetry Competitions

Notes:

Notes on Contributors
Glossary

Back Issues:

January 2003
December 2002

Home

MAGAZINE MONTHLY — FEBRUARY 2003          ISSN 1479-425X

Interview

I have just finished a collection titled : Hanging out With Dead . It is about war and death. It also contains the great controversial epic: I Know Where Osama Bin Laden is Hiding. I think that Tony Blair will like the collection very much.

Finally, a poet’s greatest demon is an inherited or inexplicable obsession with language. Language as a communicative and occult force. Language as an incantatory force. Language as verbal magic! And an important qualification or credential for being a poet is to have that self- destructive perfectionist streak that makes you want to panel beat language into a shape accurate and broad-shouldered enough to carry the full weight of your experiences. That is the primary similarity between a poet and a mad man . The difference is that the mad man knows that he cannot do this and so escapes into his sophisticated schizophrenics. But the poet keeps trying to tame language until his or her mental ribbon snaps. . Think of John Berryman who waved to the people on both sides of the river before he jumped off the bridge to his death by water.

Personally, I have never contemplated suicide. Except once. When I was teaching in Liverpool. But I quickly remembered that Igbo culture does not tolerate such a luxury so I decided to cut of the head of the man who made me think of suicide. He was my HOD i.e. Head of a Donkey. His name? Messiah DePhallus Snodgrass. My plan was to use his head to dance at my father’s okwukwu i.e, second burial. But the Christian part of me took control and I forgave the arsehole his numerous racist iniquities.

A good number of times, I have forgotten money at cash points after withdrawing them because I was reshaping the stanza of a poem in my head. I will walk away and somebody will call me back and say : “Are you alright? You withdrew 20 pounds and forgot it in the till and walked away . Are you on drugs?”

Poetry , in the end becomes the pearl the oyster produces by secreting a jell over the itch in its soft sensitive squid-like body. The oyster as you know has no hands.

I see myself as an octopus. An octopus, as you know has three hearts and eight hands. It is this quality, this gift that allows me to handle my experiences in the way that I do. Like a juggler who performs in water. .

Nnorom

Esiaba, thank you very much for this first part of my planned tripartite electronic conversation with you. I truly appreciate that you have taken the time to chat with me on a variety of issues. Goodbye for now, but we will surely talk again.

Home l Cover l Next page

Poetry , in the end becomes the pearl the oyster produces by secreting a jell over the itch in its soft sensitive squid-like body. The oyster as you know has no hands.

– Irobi