DIALOGUE IN EDINBURGH By Susanna Roxman Cast: ANDREW, a classical musician in his 40’s. DAVID, an actor in his 50’s. WAITER, in his 30’s. A silent rôle. At a smart, rather cosy, at the moment quiet restaurant
in central Edinburgh. It’s an August evening towards the end
of the Edinburgh Festival. Andrew and David, both a little
tipsy, are sharing a (second) bottle of wine. When we first
see them, the last bars of some traditional Scottish song,
played on a piano, is heard. The dialogue has already begun,
so to speak; we’re tuned in gradually. ANDREW: She’s lovely as a person, as a partner. DAVID: You seem happy together, it’s
heartening to watch. ANDREW: I never thought love would
unfold so late. DAVID: You were fated to meet. I’m
envious, you know. ANDREW: What happened to John? DAVID: I don’t know. He’s gone. ANDREW: How do you mean, gone? DAVID: With the wind and snow. ANDREW: You were together at our
wedding. DAVID: Yes, I know. I must say it
rather hurts to remember. ANDREW: December, that wasn’t very long
ago. So what happened in between? DAVID: God knows. ANDREW: And what will happen? DAVID: Remains to be seen. ANDREW: He seemed so boyish, had a
great sense of fun. DAVID: People sometimes thought he was
my son. ANDREW: Didn’t you help him a lot in
his career? DAVID: He was dear to me, Andy. Very
dear. ANDREW: When did you two split up? DAVID: I wish this cup would pass from
me. ANDREW: He left you very recently, I
think. DAVID: Since then I’ve been standing on
a kind of brink. ANDREW: An extreme situation, yes. I
understand. DAVID: Never had a dream as bad. ANDREW: But you should look ahead. DAVID: More dead than alive, I often
feel. ANDREW: If that’s any comfort, you look
very well. DAVID: Hell, let’s talk about something
nice. (Raises his glass.) Prue’s clearly superior to
your earlier girls. ANDREW (Raises his glass): She’s a
precious pearl, body and mind. (The men drink simultaneously, then put
their glasses down.) DAVID: The others appeared unfinished, crude, like pottery
not yet fired and glazed. Facing the future, Prue moves
unfazed. ANDREW: You’re in a strange mood. DAVID: Life’s weird, as all things
prove. ANDREW: Love and art make it
worthwhile. DAVID: Art alone for me, love is passé. ANDREW: For my poor part, I disagree.
Women and men admire you, as you’re aware. DAVID: No woman could quench my fire.
You know that very well. Let me tell you this: if you hadn’t
been straight I’d asked you for a date ages ago. ANDREW (a little amused): So this isn’t a date? DAVID: Don’t be naïve. ANDREW: I’m flattered. It grieves me I
can’t comply. DAVID: I wouldn’t force you. ANDREW (ironically): Thoughtful and
kind. DAVID: And love’s not blind. ANDREW: It’s partly your fame. Your
more than familiar name scares people off. DAVID (drily): I realize as much. ANDREW: Such glory as you possess cuts
two ways, attracts and repels. DAVID: I don’t like dwelling on
unpleasant facts. ANDREW: You know you’re always welcome
to Prue and me. DAVID (maudlin) You two, I confess, are
my best friends. The rest are bores, or only want my help in
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